This is India's funniest movie? Andaz Apna Apna
It's a strange feeling when you find yourself disagreeing vehemently with web posts by people you don't know and will never meet, such as the opinion expressed by someone about this movie on imdb; it's a less strange but still puzzling thing to find yourself once again going "Huh?" when told that a certain movie is a don't-miss, perhaps one of a country's finest.
Keeping the advice of Thumper, at least to start with, I'll say something nice. I genuinely enjoyed seeing Aamir Khan go to ridiculous lengths for ridiculous bits. I was grateful for his dance moves, especially the arm-fling on top of the bus. (Not quite as good as SRK's in Dil Se, of course, but that's a train, so there's no comparison.) The opening sequence with Juhi, Govinda, and name-dropping was truly inspired - I can't tell you why it was so much funnier than the movie industry jokes in the Karisma-Abhishek mess a few films back, but it was. Trust me. I also like a good tongue-in-cheek hair-flip, and Juhi made me proud.
Regarding the plot, I have nothing to say that you can't observe for yourself just as easily. If you haven't seen the movie, just know it's a wacky scheme done wackily. I warned you.
Now. I am limiting myself to just three negatives. With great glee I put this disc in my computer to get screen captures, and once I started it was hard to know where to stop. These are the three that made the cut - not only because they are funny, but also because I think the picture can really help my point. Some things, like a squad of armed goons standing around during the end fight, or a mad scramble for diamonds, or voiceovers narrating our protagonists' assessment of each other's lies, cannot be done justice in stills.
Regular readers know how I do enjoy the mid-1990s fashions of Bollywood, and poor Karisma Kapoor seems to get caught in lots of them. Here she is sporting...I don't know what this is - and it could use a good name, if anyone can come up with one. Black mock turtleneck, long sleeves, with suspenders, frayed white daisy dukes, and black tights with a stripe up the side? With those crappy dollar store metal circle earrings, whose white paint is going to chip off at any second, and boots, I think? I read somewhere that Karisma and Raveena ended up being archrivals, and I like to think that these outfits resulted from Raveena slipping the costume designer something to make it work out in her favor - she has some bad outfits, but they're just sort of Dynasty-excess bad, not genuine crimes against fashion. It's like Sarah Jessica Parker and Kim Cattrall ten years early.
Next up: Karisma's hair. Raveena's face here says it all, but, to be fair, Karisma's expression mirrors my own to some of Raveena's dos (even this one, scrunchy and all), so it all comes out even, as another childhood favorite cartoon animal would say (Frances the badger, whom no one else ever remembers). But as with clothes, Raveena gets glam or vampy insane hair, where poor Karisma gets dorky twin french braids or claw bangs. My credentials on this front - I come from a small town in central Illinois and was in junior high and high school in the late 1980s and early 1990s - are beyond reproach. I know from big bangs. 
And, finally, Crime Master Gogo (Shakti Kapoor) and Prem (Salman) demonstrate how to fight by...thrusting. Yes. I don't think I'm the type to find sex everywhere I look (unless distracted by an exceptionally professorial elbow-patch jacket), but this was really odd. 
Aside to Salman: thank you for keeping your clothes on. And for sporting such a very, very choice mullet. Who'd have thunk it - eleven years later, here you are, getting hair implants. How time and shirts fly....

9 comments:
Good review, Beth!
I remember the time when Andaz Apna Apna was about to be released. There was a lot of hype surrounding this movie because the then two successfull actors of the Hndi film industry were going to be seen TOGETHER! Along with two heroines who had never worked together before! But the film flopped real bad. Someone the people felt cheated and these two Khans haven't worked together again.
Wow! Thanks for filling me in on that! I can see how there would have been a big build-up. I'm delighted to know that it flopped - I mean, not delighted that people may have lost money and whatnot, but I kept reading all these posts online about how great it is, and I was completely mystified!
And while admittedly I am no fan of Salman, it seems that his and Aamir's styles aren't really all that compatible - I wonder if pairing them in the first place was a bit of a gamble?
Methinks, and a lot of young Indians will agree with this, that Andaz Apna Apna flopping was one of the greatest mysteries of all time, ranking alongside the Loch Ness Monster, the Yeti and the Bermuda Triangle!
The movie defines cult. Each dialogue, each gesture is aped and narrated whenever more than 2 people sit together to have a good time. Start with the story: Simple yet complicated- mistaken idenities, false and true love, double roles- sheer madness. The characters: Amar, Prem, the lovable Don 'Mogambo ka bhateeja' Crime Master Gogo, Bhalla(with the Ajit hangover) and his 'Galti se mistake ho gaya' sidekick Raabert, Ram Gopal Bajaj and his evil twin Teja.... I could go on and on!
The dialogues: Gogoji aapka ghaghra, jhakaas, Aaya hoon to kuchh le ke jaaoonga, khandaani chor hoon!
The situations: Amar/Prem entering Gogo's den behind him, he carrying a revolver and they with their hands up! Aamir Khan's football demonstration with glasses, Salman Khan's "Amar Dekh Rifle" while picking up a revolver at Gogo's den, Teja's dreams of opening up a poultry farm, ending with 'Hamara Bajaj', one of the most famous jingles of all time(for Bajaj scooters)!
I guess the reason why we love this movie is because it is so nonsensical, and has been watched again and again and again with friends in school and college! Anyways, movies after all, are a matter of personal taste and choice, I can only hope that one day you will get to really appreciate this masterpiece! :-)
Hey Obi Wan - that all makes a lot of sense. I can see how this would be great fun late at night with a room full of friends! I will admit, though, that many of the Hollywood movies that fit that same category - Caddyshack and Blues Brothers come to mind - don't do much for me either. Maybe it's something about pacing - the zany plots that are a string of antics - just not my cup of tea for whatever reason. I'm trying to think of an example of this kidn of thing that I do like - as I mentioned when talking about Hungama, Clue doesn't really grab me either, and it is probably the US's finest example of this tye of thing.
As you say, sometimes movies that you first saw at a certain time in a certain place with certain people will always be great because of their first context. I will always love Four Weddings and a Funeral (also 1994!) because I saw it on a warm spring night with a group of friends in college. We all walkeld across campus to this junky old movie theater and we had a great time, swooning over Hugh Grant, crying when Gareth died, giggling at all the mushy lines and mishaps we've all had. When I see bits of it now, it still makes me happy for those reasons and far less becuase it's actually a great movie.
But I'm still glad to have seen AAA - I've read and heard so much about it.
I have to agree with obi wan, this is arguably the funniest movie I have ever seen and I've noticed that non-Indians who enjoy/suffer through Bollywood movies usually don't get the movies from the comedy genre. For this reason, Army of Monkeys' policy of not reviewing comedies makes sense but I still wish there was a way to bridge the culture gap (which was much greater in the early 90s when this movie was released) so that you could enjoy this movie as well Beth. Much of the humour rubs off as absolutely hilarious from an Indian perspective, that I can assure you. Hopefully though, given that recent Bollyflicks are more universally appealing (or otherwise) in nature, you should be able to identify with newer cult classics.
Hey beth,
Maybe you didn't like the movie because you didn't get all the jokes..
A lot of the "stupid" stuff, is even more tongue-in-cheek than you might think. Everything from Crime master gogo, to Bhalla to the fights are all pretty much spoofs of much older movies/genres/characters (1970-80s)
I'm guessing you saw the movie with the English subtitles, and I can tell you that a LOT is lost in translation.
I'm actually sending a AAA DVD to a friend of mine in Israel.. I doubt she'll find the movie half as funny as I do.. Won't be easy explaining why -"ooiimaa, Sita aur Gita" is hilarious..
Hey.. btw... nice blog.. I'm going to spend some more time reading it..
Later,
Diabl020
the problem with this movie, the release date clashed with hum apke hai kaun... obviously as per the land's law every indian should watch HAHK.. else would be treated as social outcast. and in all the hoopla AAA lost its voice.
Totally off topic with the rest of the comments and two years too late but oh well:
Frances! "Bedtime-for-Frances" Frances! She's my favorite badger.
I love the audiobook version, in which the three actors for Mother, Father, and Frances give such droll deliveries of their lines, including the "..., said Frances" or "..., said Father" parts.
And my favorite bit is where Frances makes up a song to try to get herself to go to sleep: "Frances had no trouble till she got near the end of the alphabet. 'S is for sailboat, T is for tiger, U is for . . . . . . underwear! down in the dryer.'"
spygirl - It is NEVER too late for Fances comments! I lurve her. I used to get the LPs from the library when i was little - I wonder if they're the same recordings as your audiobooks? And now I want to stop by the library and see what I can find!
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